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| The Genius | 
 enlarge | Author: Jesse Kellerman
Publisher: Putnam Adult
Category: Book
List Price: $24.95
Buy New: $8.20
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Avg. Customer Rating:  (13 reviews)
Sales Rank: 4716
Media: Hardcover
Number Of Items: 1
Pages: 384
Shipping Weight (lbs): 1.1
Dimensions (in): 9.2 x 6.2 x 1.3
ISBN: 0399154590
Dewey Decimal Number: 813.54
EAN: 9780399154591
ASIN: 0399154590
Publication Date: April 10, 2008
Release Date: April 10, 2008
Availability: Usually ships in 1-2 business days
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| Editorial Reviews:
Amazon.com
Harlan Coben on The Genius
Harlan Coben is one of the virtuosos of the modern thriller. Each new novel hits the top of bestseller lists across the world, and he has become the first author to sweep the Edgar, Shamus, and Anthony awards. Beginning with his acclaimed Myron Bolitar series (including the recent Promise Me), Coben soon branched out into stand-alone thrillers that have made his name as a master of clockwork suspense, including his latest, Hold Tight, which brings his trademark thrills into the most basic dilemmas of the modern suburban family.  "In the beginning, I behaved badly." That's how the uber-talented Jesse Kellerman opens up his newest novel, The Genius, and right away, he has you. I won't give you a long plot summary because others will do it better, but briefly: A young art dealer named Ethan Muller manages to get hold of a treasure trove of original art after the artist, an unknown shut-in named Victor Cracke, disappears. The first sign of trouble crops up when a retired cop recognizes one of the figures as being a boy who died some 40 years earlier. Ethan's life spirals out of control from there. Before the story is over, Ethan will learn to question everything about his "wonderful" discovery--as well as his own family's destiny. Yes, the book is gripping and compelling and Ethan Muller, the narrator, is wonderfully wry company, but what truly separates Kellerman from the pack is his prose. Simply put, he is a wonderful writer. He has the ability to make everything seem, well, true. Every scene has that ring of authenticity that's so elusive in fiction. I bought everything that Ethan did--and loved the flashbacks showing how the Muller family went from poor immigrants to real-estate tycoons. I love books where past crimes will not stay buried. The web of deceit in The Genius stretches back four decades, but it is still claiming victims. Jesse Kellerman tightens the noose slowly, and we his readers can do nothing but turn the pages. I have been a fan since his debut, Sunstroke, but he's getting better and better. If you've already read Jesse Kellerman, don't waste anymore time reading this review. If you haven't yet discovered his work, The Genius is the place to begin--and not a bad description of the author.
Product Description
The sinister and provocative thriller from crime writings freshest new voice.
Ethan Muller is struggling to establish his reputation as a dealer in the cut-throat world of contemporary art, when he stumbles onto a once-in-a-lifetime opportunity: in a decaying New York slum, an elderly tenant named Victor Cracke has disappeared, leaving behind a staggeringly large trove of original artwork. Nobody can say anything for certain about Cracke, except that he came and went in solitude for nearly forty years, his genius hidden and unacknowledged. All that is about to change.
So what if, strictly speaking, the art doesnt belong to Ethan? He can sell itand he does just that, mounting a wildly successful show. Buyers clamor. Critics sing. Museums are interested, and Ethans photo looks great in The New York Times. Then things go to hell.
Suddenly the police want to talk to him. It seems that Victor Cracke had a nasty past, and the drawings hanging in the Muller Gallery have begun to look a lot less like art and a lot more like evidence.
Is Victor Cracke a genius? A murderer? Both? Is there a difference? Sucked into an investigation four decades cold, Ethan will uncover a secret legacy of shame and death, one that touches horrifyingly close to home.
Kellermans tight, assured prose is electrifying, exhilarating, and compulsively readable. Part confessional, part philosophical inquiry, Stop is the detective novel reimagined like never before.
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| Customer Reviews: Read 8 more reviews...
 Just say "no"! May 15, 2008
This book was not at all what I expected from the "product description." I would really like to be specific in my criticism, but I was disappointed all the way to the end. I didn't like or connect with any of the characters. While I've enjoyed other books that jumped back and forth from past to present, this one felt very disjointed, even when I knew where the author was going. If you like a good thriller or mystery, I wouldn't recommend "The Genius." I gave this a one star rating because I didn't know how to give it a no star rating!
 Not your typical crime novel May 13, 2008
This is an incredibly well written book, but it's not a thriller. It's a detective novel and also a character study and also a family saga. You're two-thirds through the book before you get the connection between the family saga and the detective narrative. Somebody else commented that they didn't like any of the characters, and it's true that they aren't exactly likable. In most books that would bother me, but in this book I didn't care. I understood them and why they were the way they were, and I loved it.
A Flawed But Terrific Grabber May 10, 2008
There is no doubt in my mind this is a five-star book, a fascinating, ingenious and very original novel, but I question if Kellerman made the right narrative decisions in the way he tells his gripping story. Could he have achieved an even greater wallop with the fantastic story he invented? The way he drops or minimizes or deemphasizes a character or a plot element made me scratch my head as I was reading. Where is he taking me? Couldn't we have gone down this more direct narrative path rather than the one chosen? At times the book gets becalmed with the narrator's affair with Marilyn as well as the long sections about the Muller family. But this book is a real choker that makes you holler "I give up!" because it is so intense.
The narrator, Ethan Muller, has been estranged from his father for years, and when he discovers the treasure trove of thousands of masterful drawings by the reclusive Victor Cracke, he seems to adopt the artist almost as an esthetic father figure. (But what a creepy nutcase to, even unconsciously, embrace as a surrogate parent.) The serial killing of boys draws readers into the story because Cracke has included the victims' likenesses in his drawings. McGrath, the dying homicide detective Ethan befriends, is a fine character creation that the reader and Ethan become attached to.
This book is so good it is craven for a critic to quibble with it. Readers will come under the spell of the book, and each one will have a different reaction. A brilliant writer with a dynamite story to tell!
Nine Lives Too Many
The Daemon in Our Dreams
The Rice Queen Spy
Clawed Back from the Dead
 Ambitious effort: More family saga than thriller though May 7, 2008
3 out of 3 found this review helpful
I have mixed feelings about this novel. I wasn't terribly impressed by Kellerman's debut novel Sunburn and I really disliked his sophomore effort Trouble. Kellerman's third novel is ambitious. I especially appreciate that it deviates from conventional crime novel formulas. In fact, the solving of a series of 40 year old child murders is secondary. The Genius, first and foremost, is a family saga. At its heart, it's the story of a cold and distant father trying to reconnect with his estranged son.
The catch is that readers who expect action, suspense, and page turning thrills may be disappointed. I admire the fact that Kellerman doesn't make criminal investigation exciting. It's tedious work. There is no `big shoot out' or car chase to pump up the reader's adrenaline. Instead, evidence is collected, an arrest is made. It's pretty routine stuff - just like real life.
Kellerman does a good job with character development. As mentioned before, this is really a character driven family saga, not a plot driven thriller. I admire that Kellerman doesn't feel compelled to make his characters especially likeable. Ethan, our hero, is actually a pretentious self absorbed (insert your own expletive here); certainly not the type of character that an author can build a franchise around. I didn't hate Ethan, but he did grate on my nerves from time to time (notably when he makes a rather whiny phone call to an Assistant DA). The characters in this novel are fully realized imperfect human beings. Unfortunately, they can be a little annoying at times.
Kellerman sets up an intriguing premise (a collection of drawings are discovered in a vacant apartment and when some of the drawings are displayed in a gallery, it is discovered that the drawings include the faces of five murdered children) but by its mid point, the novel starts to lose some of its momentum. From a suspense novel perspective, the novel plods along rather predictably and then resolves itself in rather anticlimactic fashion. While on some level this is admirable, it isn't fully satisfying as entertainment. The family saga portions of the novel (the so-called interludes) are moderately compelling, but not strong enough to raise the novel above a sturdy 3 star rating from me.
I appreciate the effort Kellerman has made with this novel. I suspect that the author may transition soon out of genre fiction as he seems much more interested in exploring characters than building suspense. Definitely his best novel to date. I'd like to see him create a character that doesn't irritate me though.
A touch "ramblesome". May 2, 2008
The premise is okay, but this book needs a lot of tightening. Rambling conversations that go nowhere, excessive uninteresting philosophizing and self-centered rather boring characters lead to a dry read without really connecting with anyone in this story. I didn't like anyone in this book. Maybe that was the author's point, but I need to feel some empathy for someone in a book to feel a need to read on. This writing style is a little light. Maybe avant-garde is the new look but I really want something meatier. It's overly long but not too bad. I can't say it is too good, either. I'll declare this book cooked medium.
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