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| The Architecture of Happiness (Vintage) | 
 enlarge | Author: Alain De Botton
Publisher: Vintage
Category: Book
List Price: $16.95
Buy New: $9.29
You Save: $7.66 (45%)
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Avg. Customer Rating:  (36 reviews)
Sales Rank: 23382
Languages: English (Unknown), English (Original Language), English (Published)
Media: Paperback
Number Of Items: 1
Pages: 288
Shipping Weight (lbs): 0.8
Dimensions (in): 8 x 6 x 0.7
ISBN: 0307277240
Dewey Decimal Number: 720
EAN: 9780307277244
ASIN: 0307277240
Publication Date: April 8, 2008
Release Date: April 8, 2008
Availability: Usually ships in 1-2 business days
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| Editorial Reviews:
Product Description
The Achitecture of Happiness is a dazzling and generously illustrated journey through the philosophy and psychology of architecture and the indelible connection between our identities and our locations.
One of the great but often unmentioned causes of both happiness and misery is the quality of our environment: the kinds of walls, chairs, buildings, and streets that surround us. And yet a concern for architecture is too often described as frivolous, even self-indulgent. Alain de Botton starts from the idea that where we are heavily influences who we can be, and argues that it is architecture's task to stand as an eloquent reminder of our full potential.
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| Customer Reviews: Read 31 more reviews...
 Typography of Happiness? July 31, 2008
1 out of 1 found this review helpful
Alain de Botton's Architecture of Happiness is a humanist's guide to understanding built environments. Finding room to appreciate both classical and contemporary architecture, de Botton resolves the quarrel between the ancients and the moderns by suggesting that every architecture strives to provide the conditions for happiness. "What works of design and architecture talk to us about is the kind of life that would most appropriately unfold within and around them. They tell us of certain moods that they seek to encourage and sustain in their inhabitants." (72)
Although the book is dedicated to the pursuit of happiness, its best moments are shot through with midlife melancholy. De Botton reflects on the ache inspired by an eighteenth-century ornament: "The ceiling is a repository of the qualities the man would like to have more of in himself: it manages to be both playful and serious, subtle and clear, formal and unpretentious ... it has a profound unsentimental sweetness, like that of a smile breaking across a child's face" (148-9).
The book itself is founded on the double premise that our surroundings affect our moods and modes of living, yet "will only ever constitute a small, and imperfect protest against the state of things" (25). De Botton, that is, believes deeply, very deeply, that architecture matters, but he does not suffer from the self-importance of the professional architect. Phew.
What excites me most about de Botton's work, however, is his ability to weave design, literature, and philosophy into a mode of discourse that speaks with an eye to illumination, not obscurity. The writing is too beautiful to be reduced to a set of "take-aways," the emerging tin standard for public speech, yet de Botton uses page breaks and illustrations to escape the mesmerizing movement of his own syntax. Could this be ... the typography of happiness?
Imperfect, but Still Marvelous July 27, 2008
The author opens with a marvelous question, "If architecture is important, then how can we ever be unhappy in a home with good architecture." It is a truly breathtaking question to ask. Unfortunately, I'm still waiting for the answer.
Happily, the author does offer great compensations for his failure to resolve his key question. He provides a well-rounded and insightful look at how we interact psychologically with architecture. I didn't agree with every observation he made, but I found all of them interesting, provocative, and worthy of my time. It is a book that I will read again and which has more to teach me. Especially when I'm not looking for an answer that isn't there.
 My son is enjoying it June 9, 2008
0 out of 1 found this review helpful
I bought this book for my son who just declared his major in college to be architecture. He has been reading it for a few days and when I asked him if he liked it he said it was pretty good and that is good enough for me.
If a philospher had eyes May 27, 2008
I have given copies to a Zen priest and an award winning architect thinking they would both be exhilerated if not inspired. The Architecture of Happiness lends insights and provocation enough to raise new questions, new slants on how one practices...whatever field you are in.
 Opens doors to creative thought May 21, 2008
1 out of 1 found this review helpful
The Architecture of Happiness, written by Alain de Botton, outlines the historical evolution of architecture over the past century and the reciprocal effects that architectural surroundings may have on one's mood and overall outlook in life. The author offers an in-depth exploration of the cultural, political, and social influences which have been important in shaping the evolution of architectural design.
The book begins with a discussion about the relative historical and political factors that have influenced the appearance of architectural design. He also offers an in-depth look at how the details of one's surroundings can subtly influence one's feelings about the environment and the self. In choosing or designing one's environment, he philosophizes that one chooses a reflection of his or her ideal self, or internal world.
The psychological interpretations made by the author are mostly subjective and philosophically based, without any empirical research being used to support his opinions. Some of the reasoning that the author uses to support the importance of architectural details seems fundamentally flawed. For example, he uses the importance of one millimeter's difference in the human lip to explain how important architectural detail is to a building. However, the human ability to recognize slight differences in human faces is a survival mechanism that enables us to differentiate each of the billions of faces that exist in the world, and it is not likely that this capability generalizes to building architecture.
The writing style and lexicon in this book make for an informative read, but may be difficult to absorb by those looking for entertainment. Readers with professional careers in architecture, art history, or philosophy, may find that this book opens the door to creative thought about the connection between one's environment and psychological factors.
Armchair Interviews says: Book most important to someone in the architectural field.
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